Haiku about Film

Film reviews seen in/ Japanese poetry form/ Brevity at best.

Monday, March 27, 2017

Lala Land, Damien Chapelle, US, (2016).

Light, fluffy, and fun-,
Reliving old Hollywood,
Tonic for the day.
Posted by Birgit at 8:20 AM No comments:
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Labels: cinematography, comedy, dance, music

Monday, March 20, 2017

Sand Storm (Sufat Chol), Elite Zexer, Israel, (2016)

Bedouin drama,
Of oppressing, desert winds-
And no choice for girls.
Posted by Birgit at 8:16 AM No comments:
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Labels: art house, cinematography, dark, drama, foreign film, multicultural, social commentary, strong female lead, subtitles, Sundance Award

Sunday, March 12, 2017

May I Be Frank?, Matthew Engelhart, U.S., 2010

Addicted fat man
Heals with raw food and wheat grass,
In a funny way.
Posted by Birgit at 4:30 PM No comments:
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Labels: aging, biography, comedy, documentary, family dysfunction, food politics

Sunday, March 5, 2017

Alive Inside, Michael Rossato-Bennett, U.S., (2014)

Back door to the mind-
Music evokes memory
As dementia grows.
Posted by Birgit at 4:21 PM No comments:
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Labels: aging, documentary, music, Netflix, social commentary, Sundance Award
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Birgit Schinke

Birgit Schinke
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Blog Archive

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    • ▼  March (4)
      • Lala Land, Damien Chapelle, US, (2016).
      • Sand Storm (Sufat Chol), Elite Zexer, Israel, (2016)
      • May I Be Frank?, Matthew Engelhart, U.S., 2010
      • Alive Inside, Michael Rossato-Bennett, U.S., (2014)
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